关于在短时间内🤤的某几个人的经过

《关于在短时间内🤤的某几个人的经过》讲述的是什么故事？

《关于在短时间内🤤的某几个人的经过》Voice🤨🙃 🤮1 😷🤪🤨🙄(male profess😝🤭;ional an😚)nouncer t😍y😙🤪pe) This🤥! neighborhoo😁🙃😊😃d(1) w🤒😐as ,%!%made😴# for the.🤤🤮 wretc🤨😋😛h😛🤥+ed digni😊😜:[t@🤣🤣y of the ,;🙃petty b/🤒.ourgeo😚[i😀🤨sie🤭🙃🤫#, fo😂#r respectabl🙃*e occupatio😑😪ns🤩 and intelle🤣😛ct😚😴-ual touris[😒m. T[🤔😌😍he sede?🤪n😍🤩]tary popul😐😏🤑atio😃n o😌🤑🤕f th😪😚e😀) u🤭?pper :=-floors was sheltered f🤕r😷\om t!😔h_🙃🤕🤗+e :😄influen/🤣🤑c😉[🤥🤗es of the )😐😏st😴reet[#🤪 🤮. ^??🤩This n🤭eighb%😍😔orh🤭🤔=ood has remaine+😆🤒😷d🤮😋🥰 t😁`🤮he same. 🙂🙂-It wa(/s th😘🤗
e,. str-=ange😀 setting of 😒😗our😊😌😚 story, w🙄😘🤔😔here a 😄system([atic🤭😶_* que😶 :stio🙄😇;ning of all the🙄 diversions;😄.😬 and w😍🙃😑=or😬😷ks of a 😀!🤐society🤥,😘 a total cri`-🤫🙄t🤕ique of its idea🙂 of happiness.#, was ex_🙂pressed ;🤨\in [😝🤭acts.　　These+ people🤐🙂^😒) also scorned su😑🤭😅🤔bjective 😐profundity😝🤔.😗😀. 🤣🥰🤢They$]🤥% 😬😛.🤔w🙄😪er/🤨 e#😛 interest😑😛ed in nothing b😁😪:ut an ad😚🤮eq🙃🤪🤐uate ,😒🙄
🤨and🙄😐 co😙😐 ncret.e ex😑🤢pression of the😐😂😑mselves.　　Voice 2 🤣😪(Debord, mo😐n😑😏oton\🤕e) Human beings are not full😆😙^y consciou 😀s of the,,ir real lif🤩😀😇e - usually😴 g😘ro😅_🤒p😚🤑ing🤮🙃😁 in the dark;
 overwh?🤥elme🤗)🤣d😒🤗
by the c😏🤫ons)🤫(e/😋-🤗😘quences of🤢😗 their 🥰😜🤐ac🤑😏😌😪ts😪)😔🤣; a😶_😒😔t e😂🙂/😍`very moment 😴😪😝gr🙃*oups🤒= and individuals find them😇😛selves con`fronte😍d with r$(. esul?ts they have[🤢😂 no?🤥😊🤗$t w😪🤑: ished.
[-　　Voice 1 T😪😒h 🤭ey said that oblivion was th eir🤩* ru[🤩lin)😅]g😐= ;\🤒passion. Th🤫`😪]e🤨!😌y w😍🤨%anted to reinvent ev,@erythi/?`-ng each 😂🤩day; to 🤥😷become the m😷+as[😅ters a😑😴nd possessors of t😇😝hei😁 r o#🤪😷wn 😉🤫lives.　　J🙃+😬ust as on.],🤭😍e (🥰?do😘🙄🤫es not🤭🤔]😬 )😉judge a man accor/$ding 🤗@🤒🤑to (😔😶_the c_😅onception he ]h🤮`😉as of😬 hi😉🤩 [mself, one cannot😉 ju@?d😬*ge 😇 such pe 🤗rio,😆ds of `transit ion accord🤑🤕ing to their+
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(ea;`🤥 ll:😐😔y 😁🤐😬contests [an o%-rga😇😴😜nization o,`f e😙$😶xistence without contestin🤗😒😀g all of 🤕😷-that org`😋😁anization😀😀😗🙄's fo😴🤒🤨🙂rms of😷= 🤒 language.　　Voice 1:/ Wh😅😄en fre🤤🤐🙃e😇!d🤑🤒om is😚😆[😏 practiced in a clo($\🤨🤒sed circle, /😛😚😔it f @😑🤣ad\es into 😝_🤭a dream, becom!=🙂es a mer]😒e repr🤐😊esen🤕😅@tation of i🤭.[)😊tself. The ambiance of p🤕^la\😶y .is by🤫`` n🤥at🤢,😪😙ure😚 ( unstable. At ,😀🤑any moment or@😊d😃inary life? + 😗can preva+😔il on😛🙂ce again.😙+😷 The geo🙃,😛gra🤪😇phical 😝^limit🙄[ation 🤑)😴#of play is even more str^ iking than its temporal limi😑😂😂ta😃😒😐😙tion.)😇 Any game takes 😇🤢plac🤭e😴
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😌😒nditioning, in quest of🤨😗🤢😑😏 another 🙃:🤢u🤕se!= of the urban lan😄😌🤫dscape, in quest of new(🤥 😗[.🤭passions.:😁, ^+😁T🤐h`e atmosphere of a few pla🥰! (ces g😍😍ave +;🤮us 😛i$ntimati😂:😃#/ons of the future powers of😬🤫) 😬🤤%a)😊🤮😛n arch/🤒🤐😂itectu_%re i😄😇t would be😑+😜]😘 necessary to🤫😏(😜 create to be 😘the supp😋😗ort and f🤒🤒ramework for le🙃🤕 ss mediocre😑=😛 😄
gam😉]#🤮es. We could expe🤪^.ct🤔🤭😆 not🤥😌hing of an`ything we ha🤔%🙂d not ,-ours😷😴elv🤢😏es alter_;😴😜ed. The urban envi;ronment proclaimed the orders and tastes of the ruling 😶😗😐🤕?society 😉.🤑just ;😌as v🙃🤕i🙂olent😬🤪😛ly as $🙃🤭the 🤤🤐😙(n=😗😑e=😅🤔.wspa🤑 pers. 🤗😬It i😉😇s🤕😝😶 m😄\a*#n w[🤭ho makes the unit\y of the world🙄😜😶😇,😐🤐 but man h😋\\🤢🤩as extended himse🤫lf😜😔 😁🙄-everywh🤩
[ere.^🙃 People can@! see-= )🤭nothing😉😛🤒 😊😘around them tha-🤭t is n-😉[🤥%o😌.😆)t t😴;heir :😜😷own image;😝, ev😶 😀😶😬erything spe😔==aks to the!m of themse$😁lves. Thei:/:r very l😄🙂ands🤔+🙃😆c🤣😷🤒ape😍 is a😆😇l😏😉ive. There were o?😷😂=😬bstacl😉😬😇es every😊😘)where. Th/ 😑ere w😁(as a coh😷!esio😝😗n😘😐. 😋:in th😬😔🤪e obstacles of *🤔😋all types.😛= They mai😆
🙄(😏ntaine😃*🤭d 🤥the co😉🤕😀😏herent😊 😚🙃re#🤕ign of pover,😅+🤩😉ty. Eve😅😛😍r😄y😐 thin] 🥰😋g being conne+😍( cted, it was nece🤪/😃ssar😛`y ? ;😀to 😍😴 change everyt*hing 😃😂🤩:🤤b😑,y a unitary %)😏😔😜struggle🤗😜, or 😙😁😇😬nothing. It was 🤕/nece😝
ssar😑/y 🙃_to link🤭 😊😗🙂up with the 🤩🤔masses, 😍`😑
but we were surro`😒🤮unded😀* by s😑leep.　　Voice 3 The 😗!#dictato😏😃?rship o🤔😘f th😝 e prole😛.:😗tariat )😝`😅😷is a😀@🤮 desperate struggl🙂]🤕e, bloody and bl😝😪oodl%$ess, viol😐🤤 ent 🤒🤪🥰😋🤪and pea😏😂cefu😑🤐😉 l, mil🤗 +ita😑😁ry and economic, educat😋?ional_🙃😬🤭🤥 and administrative, a🤭gainst th\:😝.e forces and😍😉 tr🤪😗adition😘🤨s of th😶😗$😁e old world.　　V%_oic🤣😍😁*e] 😄 😶🤭🤮1 I😴😆/😀😍n th🤭🤐😪i🤩 😔s country it is once !*again the 😀😅/me🤤😝+%n o🤮=f order w🤪🤑ho have😜@😔 rebe/*$😪lled. Th🤕🤪ey ha🤩 )🙄ve 😗😙🤢🤮reinforced t[😴 heir .😅🤤power. They 🤔🤑😬.h:^ave been a😜ble to aggravate the 😙😆g😜🤗
😔😒rotesqueness🤐🤫🤥😁 of😙😁😷😊 the ruling cond🥰itions (🤥😋according to#😴😌 their will. T,hey h#😙((av😪😜e embellishe(_d the@😊ir🤔% syste😅🤩m wi
🤕😶😙t🥰😜h th;e funere 🤕😛😉al 😛😇😜cer.🤩emon😆🤥🤐ies 😋😂😏 of🤪🤩[? th😗😆😗🤥e past.　　Voice 2 Years, [😶🤑😅li🤫😝🤑ke a sin😪😌🤤😃g😘🤤le ins#+tan😀🤣😔t pro😝🤢$🙂long😙🤨😋e😙😊d to this po_int🤒 , \🤥come to🤣 an 🤥😃
;end.😅🤪😏　　😑😜😪\V😚oice 1 What was dir🤗🤢🤑ec😁tly 😀!-😘😔lived reappe🤫🤭ars 🤢😷froz😙😃en in 😊_😌*😐the distance😴🤫😆=🤢, fit i😙🤪nto t🤐he tastes an🤗🙂d illusions😘( of 😶 an era, carried aw:ay with it.　　Voice 2 The 🤗(🤪🤑🤐appearance of ev^🤪ents tha;😋^😌t we h🥰*=av`
😶e not made[,😚#, that oth🤭ers have made ^😘🤒a🥰!-😏🤪gai)😝n😑😂st us, now obli😄😇ges us 🙄,🤢\t😘😙o be aware 😶😍😪)of😉😍 😅😀😂🤕the pass?] =age of time🤐🤑,😔, it🤮🤣_🤩😒s results, the tra😆😗nsfor😁😛-😛mat🤫😜😷%io🤨 😍n\🤨😉😄🤗 of ou😷)😙😛😘r 😁)🥰o😶😋 wn desires into events. Wh😚:`😏at dif😶😗?🤨ferentiates t🤮_🤮)he p😒/🤫ast from the present is pr🤩
🤐ecis🙄😒el😇😋,-y its 🤮o,ut-of-re🤭😙ach objectivit😀$y; there is*🥰 no m🤩😴*\ore shou🤮🤨😄ld-be; 😌😷😅be
$i😇[ng is so consumed 🤐😛t🤨😐😋hat it h#🤭as ce😙😐.[ased 🤫\to 🤒exi🙃🤮st. Th😴😄😋🤗e details a/$😍🤐😏r🤐]#e 😗😇😒😔alrea%😁dy l`@ost *🤕in t😊🤣he dust of time.😶^ Who^. was afraid of lif😔?e😜😷*, afraid of the :
night, afraid 😚😏😗 o\ f]
;[ 😔😙?`*being😍🤤/😃🤪 taken, afraid of 😶(b😬😝$🤩eing ke🤥pt　　Voice ^🤭3 Wha🤔😜t should be abolished c🤨🤔😊🙄ontinues, and😬🤮 🙂we continue ^#$to😑😊 wear /,😉away😉: with @/.🤑it. 🥰= We are engulfed. We are!😴😛😄 separated. The y+🥰😋😝🤗ears *\`%pass an😪😁😉d we h😉^a.ven't 🤫😬🤕changed anythin😔😏g.　　Vo]😌i🤫😝😪[ce 😬😔2 Once aga🤭in m🙃🤣orn😅 ing in the🤑😋 same street😚:+s 🙄. Onc:;😘e🙂😐 a🤤🤨gain_🤐: the fatigue of so many🤗🤐😴😙 s@😝imilarly passed😪😀; 😏😬nights. It is 🤕+🤣a walk🤣 that has last🤒🤑😶ed a lo😂 ng ti😂😀me.　　*😝😔🥰Vo🤣🤭😅_ice ,`🥰1😬😶(🤫 Really har] 🤒`d t😃😇o d.-r😴😃i^😝n😝k more.　　Voice /🤮_🤪2 Of co_urse one might make a 😃`film of it. But even if such😇🤗😀🤥 a 😜@_\fi
😷%$lm +:#😜🤪succeeds in b🤪🙄ei😔🤨ng as 😔🤭🤮-fundamen!🤐🥰ta😷😚🤩lly disco:_nnected 🤗🤢and unsatis🙄fy_😷ing as the real😆^😍😅ity it d😶 ea🤩ls wi🤐🤐th🤕🤭 ,😋 it(🤭 🤗 wil🤭😇😙🤒l n😇+ever😴[😀
be m-🤐^🙂ore than🙃.;; a re-cr😴🤢\,eation ” poor 🤔and false like this🤕🤐😪 b😷
otched t(😁😆ra🤒😙/veling shot.　　Voice 3 😝🤭\There are🤨 😆 now pe%😅😷=ople who prid😂e t🤭:)hemsel🙄😌🤔ves on be😄🤩ing author😄🤐😙s 🤥😜🤭of films, 😍as oth😀😘🙂.]ers we😝@re authors of no😌😑🤢ve🙂?l😚😴s. T🤕🤪hey ar:😶e eve😃🤗n mor- 🤢e $😂😒b😙🤩/ackward😙( th😐😜🤤an the noveli_sts b😙,ec😶]*ause they are unaw.😶are 😋🤐o😙^f the d😪🤕😚%ec😂🤒😂.🙄om😜🙂😝position 🥰🤢🤕and exhau😒😀stio🤔]🤮;😋n of individual expres=]sion😋! i)+n 🤣our time,] ignorant of the end o.[f the arts😊😴 of😁
! passivity. They are prai😘s:)🙃😴ed for th🤭eir sinc🤐😶(erity since 😉:😃🤒the🤪😚🤕😬!y d,@🤔ramatize, with$(😚 🙂😃🤥😃😙mor(e pers^,(onal d+%@epth,🤨 th%
e con$@😒ventions of wh😒😉ich(😔😏 t!🥰heir li🤫😐fe consis😙#\t😀?😘s. There`🤭🙃 is)(😆 talk🤥 of 😑the liberatio_#😗n of th🤤😚e cinema. But w😄_]😙hat😘 does it matter to😆😆😗🤗 us if😆 one more art is +:?(liberated thro%😁 ugh wh🤐ic+😉^🤢h😅-😛 T^🤣.om, Dick or Harry 🤗🤒#😊@ca😜(n😶^ 😀🤪_😔joyously@😒😉 e😴🤨😬xpr🤔*🤑)ess-$ thei;😝🤩r sla.*;vish😘% sentimen)😃😝🙃ts Th😚\?😛e only interest 🤤🤐ing ven😍tu😊😇😁🥰re[ is🤭 😜 t🤗%:he li😏😃/🤕b😘😒eration of every[/day 😶🤒😃l🤭ife, n😝;/😝ot only in😐 the pe😴😌rspective$😬s o😋🤨$f history b\😬ut for us and right away. This 😷🤪😔😉ent😄😴ails the wi)😏t😄😊;h😆🙄*😃😁erin🤢#😔g🤫=;😉 away of al.😅😃🤥🤔ienat(ed `[🥰forms😏=😚 of comm😇un🤢#(?😃ic😴😋😝/atio😄`n.^😐 T🤐*🤤😉he cin🤮😔ema, too, *🤒has 😍🤭,to be des🤢*😉tr🤗🤤oyed.　　Voice 2 I😄🤭n the fi🤮😍nal analysi🤨🤗😬s, stars ar😗🥰🤨😪e @😑🤔😚cr😂(😙e😀-]ated by the ne😇😂ed we h!🤭a😃ve fo] r them, a]=🤨
)nd not 😗🤮🤫by 😔😏😙their 😃🙄,.t 😷al*ent 😅😐or😛) lack of talent or :eve😑😑😷🤔n😑😚.😍 by the film industry or adve🤒😃rtisin😄🤫?g. Miserable n🤗)eed, 🙄!di😊=smal, a:nonym🤫
ous life th#😪)at wo🙃😄uld😁😛!😆😏 l🙄,ike to expand😐🤪@ it,😇)self to the di😃🙃)#me.+nsions of cine😑🤩😍m😷🤔`a 😌😄$ life]🤢😄. T=😐he imaginary life😝- on 🤮[🤥the screen 🤭😷🤣😬is th_%e pro\😴,😍d😶^uct🤐%😘+ of 😑😀this real need. -😚T=😪🤤😴he star is the proj😄🙄😄]ect🤩io🙃🤩$n🙃,! 🙃
/of🤪😗 this need.　　The images of the ad\🤨🤕ve😏:🤑🤔r,😘🤨tisements d=🤕😔u😗_🙂ring the 😂😜in😶🤕😑term,
issions a😍,re m😁🙄ore suited than an🤢😙y others🤔😍% f🤔🤢😏or e🙂🤤 😗voking an🤔😜 intermission of li)*😑fe.　　To real[😴@ly des😏🤤🤨c🤗🤒😄ribe th *:,is%% .- era it would no,😇 doubt be neces`$😆😐sary to show🤣🤨🤒 many o?😷😑ther thi😚😑!ngs. 🤥But what would be 😙/🙃th 🤭e🤐😆🤐🤒 🤥🤐point　　B😆🤐et😍😛ter to gra@😚🙄😁sp the totali😐😅ty😅 of wh🤥😚a.🙂🙃😷t has bee.$😇😆😆n done and)_ what rem😶😆🤭🤪a🤐😆;🤮ins to be😛! done than to add🙃🤨🤤😙 more ru=🤩🤒ins t!😅o th🤗😜e old world 😏😪of the spectacle and 😛]🤕of[%😅😃 memorie😋s🤪😪.　　1. 😙[😗T🤗h🤣is🤫- film, which evoke;😐s🤐 the😔$🤑 le\,🤣😒ttr🙃😚ist 🤤experienc🤭es at th😴🤒🤒[😇e 😙origin of😝😍 the situ]😘😃😴+at😷😀😁ioni🤐😙😍st movement, opens with s😴)😴 😋hots😜#🤨 of the P/🤨a🤢ris distri🤤
😙😪🙃c🤤/😶t frequ%ent😂ed by the le🙂😔😴ttr🤢😚😏
ists in t😴😚he 😐(early 🤔1950]%s.

一、《关于在短时间内🤤的某几个人的经过》是哪一年上映的？

《关于在短时间内🤤的某几个人的经过》是居伊·德波于1959年拍摄的一部经典剧情片。此片开创法国当代剧情片的先河，《关于在短时间内🤤的某几个人的经过》上映时票房稳坐前三，创下当年纪录。当时均为最佳主角，以精彩演技和突出形象，奠定在法国影坛地位。饰演角色造型多年后仍为人所模仿。居伊·德波之前曾被人怀疑其能力，而《关于在短时间内🤤的某几个人的经过》却奠定居伊·德波剧情片风格。《关于在短时间内🤤的某几个人的经过》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1959年代）法国（法国）优秀剧情片齐名。

二、被称为剧情片的开先河之作的《关于在短时间内🤤的某几个人的经过》，是居伊·德波最好的作品吗?

从居伊·德波斩获剧情片最佳导演 我就觉得这部《关于在短时间内🤤的某几个人的经过》是他最好的剧情片。虽然居伊·德波后来还拍出来了评价特别好的剧情片，但是《关于在短时间内🤤的某几个人的经过》是他剧情片的代表作品。

三、《关于在短时间内🤤的某几个人的经过》为什么可以成为经典？

提起法国，人们就肯定会说出《关于在短时间内🤤的某几个人的经过》的名字。这部由居伊·德波导演，主演的《关于在短时间内🤤的某几个人的经过》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连居伊·德波导演和，都没想到这部剧情片会得到这样好的反响。居伊·德波先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《关于在短时间内🤤的某几个人的经过》开拍之前，已经有几年年无戏可拍，而主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《关于在短时间内🤤的某几个人的经过》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！

四、如何评价《关于在短时间内🤤的某几个人的经过》?

《关于在短时间内🤤的某几个人的经过》口碑非常好深受广大观众喜爱，《关于在短时间内🤤的某几个人的经过》一经播放立刻引来无数人点赞，不仅演的好而且该剧情片故事情节也非常紧凑，开心影院（www.kaixinketang.com）观看起来特别流畅同时还能扣人心弦，虽然目前《关于在短时间内🤤的某几个人的经过》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演，她在该剧情片中的演技可圈可点，受到演的好而且该剧情片迷的认可。

五、《关于在短时间内🤤的某几个人的经过》剧情片的主要内容

《关于在短时间内🤤的某几个人的经过》是一部剧情片剧情片，由导演：居伊·德波执导，主演：

《关于在短时间内🤤的某几个人的经过》Voice🤨🙃 🤮1 😷🤪🤨🙄(male profess😝🤭;ional an😚)nouncer t😍y😙🤪pe) This🤥! neighborhoo😁🙃😊😃d(1) w🤒😐as ,%!%made😴# for the.🤤🤮 wretc🤨😋😛h😛🤥+ed digni😊😜:[t@🤣🤣y of the ,;🙃petty b/🤒.ourgeo😚[i😀🤨sie🤭🙃🤫#, fo😂#r respectabl🙃*e occupatio😑😪ns🤩 and intelle🤣😛ct😚😴-ual touris[😒m. T[🤔😌😍he sede?🤪n😍🤩]tary popul😐😏🤑atio😃n o😌🤑🤕f th😪😚e😀) u🤭?pper :=-floors was sheltered f🤕r😷\om t!😔h_🙃🤕🤗+e :😄influen/🤣🤑c😉[🤥🤗es of the )😐😏st😴reet[#🤪 🤮. ^??🤩This n🤭eighb%😍😔orh🤭🤔=ood has remaine+😆🤒😷d🤮😋🥰 t😁`🤮he same. 🙂🙂-It wa(/s th😘🤗
e,. str-=ange😀 setting of 😒😗our😊😌😚 story, w🙄😘🤔😔here a 😄system([atic🤭😶_* que😶 :stio🙄😇;ning of all the🙄 diversions;😄.😬 and w😍🙃😑=or😬😷ks of a 😀!🤐society🤥,😘 a total cri`-🤫🙄t🤕ique of its idea🙂 of happiness.#, was ex_🙂pressed ;🤨\in [😝🤭acts.　　These+ people🤐🙂^😒) also scorned su😑🤭😅🤔bjective 😐profundity😝🤔.😗😀. 🤣🥰🤢They$]🤥% 😬😛.🤔w🙄😪er/🤨 e#😛 interest😑😛ed in nothing b😁😪:ut an ad😚🤮eq🙃🤪🤐uate ,😒🙄
🤨and🙄😐 co😙😐 ncret.e ex😑🤢pression of the😐😂😑mselves.　　Voice 2 🤣😪(Debord, mo😐n😑😏oton\🤕e) Human beings are not full😆😙^y consciou 😀s of the,,ir real lif🤩😀😇e - usually😴 g😘ro😅_🤒p😚🤑ing🤮🙃😁 in the dark;
 overwh?🤥elme🤗)🤣d😒🤗
by the c😏🤫ons)🤫(e/😋-🤗😘quences of🤢😗 their 🥰😜🤐ac🤑😏😌😪ts😪)😔🤣; a😶_😒😔t e😂🙂/😍`very moment 😴😪😝gr🙃*oups🤒= and individuals find them😇😛selves con`fronte😍d with r$(. esul?ts they have[🤢😂 no?🤥😊🤗$t w😪🤑: ished.
[-　　Voice 1 T😪😒h 🤭ey said that oblivion was th eir🤩* ru[🤩lin)😅]g😐= ;\🤒passion. Th🤫`😪]e🤨!😌y w😍🤨%anted to reinvent ev,@erythi/?`-ng each 😂🤩day; to 🤥😷become the m😷+as[😅ters a😑😴nd possessors of t😇😝hei😁 r o#🤪😷wn 😉🤫lives.　　J🙃+😬ust as on.],🤭😍e (🥰?do😘🙄🤫es not🤭🤔]😬 )😉judge a man accor/$ding 🤗@🤒🤑to (😔😶_the c_😅onception he ]h🤮`😉as of😬 hi😉🤩 [mself, one cannot😉 ju@?d😬*ge 😇 such pe 🤗rio,😆ds of `transit ion accord🤑🤕ing to their+
[- 🤕🤮🤫own co😋=🤔ns😐🤔😄cious🤮]nes😄😬s; on the🙄🤐🤪) contrary, one must explain t😋😂😏he consciousnes😇s th.😚$😏rough the c🤑😁🤥ontradi^🤣`🤔ctions of mater/😂i😗!😗a🤢😬l li🤒fe, thro -ugh the 🤐😊con😑@🤢flict bet🤥🤨ween 😇🤢🤥s😌🤐🤑@🤭oc🤤🤭😊ial 😆🥰conditions and t😅_🤤h😋%😉e(😆%@😚 forces o😛 f#😔 social production.　　The pr😋-😇%og😷/ress achie😇ved in 😆🤮+t😑😅he d🤐o😍😶mination of natur😬(🤨.😴e 😙*😃wa😏:🤮s!😬 * n😪ot yet matched by a😶😴?🙂* 🤕😬cor#😔responding liberation of everyday life. 😌 Y😙#outh🤪=🙄 passed aw😊_^🤨ay among the variou😂🤢😄😃🤣s c🤐 ontrol🤐🤪`s of resignation.　　Ou😍r ca😛😚😇mera= ha.s cap*😍tur_🤫*ed f!😇or you a fe\🙃w 😅aspect🤑🤣\s of;😪 a p🙄=rov(🤑))is+[😑ional m^😷icr🥰:oso🤗😊😏c🤮,iety.　　😘🤩The😏😘 k🙄nowl
🤭🤪edge of em😊😆pir🤩!ic.😚al 😌=🤮f(😄😚acts😚🤔 remai😆😐😔😒ns abst😁ract and superficia😚[🥰_l as 😐@% lon🤕@=g as it is n🤪😂:😂ot c)😃oncretized 🤫🙃$😪by_*
😋 its integrati😝(😇on in🤔@🤢to 😌😂the= 😪 whol😚-🙄e 😛😙,” 🤪/🙂wh😇🤕::ich alone permit🙃:s ,(t🤣!he supers😗e😁_ssion #.of pa🤑rtial an🤥😛]d🤐
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😒**crete :🤑essence, and implicitly 😉🤪😔😆a🤤🤣🤪t their m@🙂eaning.　　Thi😬 s🥰🤢 gro[😝up w-as on  the -😔_margins of the e🙂c🤪😅😏🤒(onomy. 🤒😔It🤣😪😏 tend🤭/ed toward a ro😇🤥-l😊😙😒e😛🤣 o😶🤭😐f !😒😚@😘pu🤤!🤨r😙/🤐😝😝e consu😪😒😙m🤫😃😴ption, 😔🤥🤭and🙄_ fi🤤🤢rst of all th]🤕😀🤔e😏?😄 free c🤪😋ons🤭?umpti😴😌🤕😜on o😉😝#f its time.🙄= It😒😀 thus found itse🥰$lf directly %enga😇ged -😔🤣🤮 in q😑$😚😪uali🤤[😒t`🙂at 🤔ive 🤗🤑variations of 🙃everyday li😴😚🤥🤤fe🤑*_🤤 b😶u?t d🤩😜🤤eprive🤮🤮😄d of a+ny mea😃[🤐 🤮n😪🙄😪s to in?tervene 😷😒]in them.　　T
🤢 🤐he group range🥰😔😇d 🙂_😙😋over a v😇🤢er%😜😘y 🤮😂🤪s🙂ma[,🙃😙ll ar😇]ea😉=😌. Th🤢😑🥰-😄e same ti=mes broug🥰😜ht them #(🤢😂back t😃_!o the same p
🙄🤭laces.😬, No 😛😘one went to bed🤑;_ early.%🤐 \😀🥰🤪😚Discu🤪🤩😛ssion 🤗😜😚on t🙂%😇$he m😚?🤮😔e🙃🤫😋aning of%😏😝 all 🤩🤢
th😝😜i😃;🤐s😒[😀 con😅🤢 tinued,😶😌.😄😜🤗..　　Vo😊😷@ice ;
=`2 Our😏😄 life is a journey ”🤒:😄 In the wi😀😉$🤭nter and t😌😆😗🤔🤩he n😉*i🤑🤮ght. ” We se😪 ek ou/🙂r 🤩😘🙂passage...?🤮😂%　　Voice 1 The abandoned literature nevertheles😙🤫🤑s exert😐🤑(ed a delaying(😛, 😏)😌acti😶🤐🥰on on new affec😗😙`tive formul😴😋+a^ti😏$😊-ons😂🥰.　　V😔oice 😔🤔2 There wa😄🥰🙄s [
(the😶 fa🙂🙄tigue a*😑😬%nd🤫[ 😑😪😙🤢the c]🤗old of the m😀😊😶)😔orn😶🙄ing😃😛*😶 in t😴🙃+)his🤨@ muc=+h😗-t😅🤗😀😄raversed labyrinth(, lik😴e a🤪😪n enigma#😆 tha😃🤕t we ha😆,d to resol?😛😇ve. It was a /lo🤒😏oking-glass re🤨 ali😅🤣
,ty through which 😋we ha;!\😋d to 🤢🤐😑discov🤗😊🙄😀er the potential🤗😴 ri🥰😘😃🤕chness of reality.🤤^😅　　🤔)On the bank 😄🥰)!😔of the rive😅😝r😊🤭🤤
evening 🤐)beg+🙂`🤮an😃😃]😴 once again; and c🤗😘😃ares😄-🤪se🤥s; a!🤭nd the impor_,(tance;😐 of a🤪,🤥 wor🤔=:ld😙= witho😍😂-ut imp🤔];ortance😬%. J😅😜u=^😉🤢st 😏!*😝a🙃🤭😍😜=s the 🤕.😉eyes😗😛 have 🤒a blu😋😍rred v🤭is😑😙🤮😒ion of m[-an🙃😃y things a😍 🤐🤗😀nd😗😴 😑%😀]can see %🤕only on😒😀:😃e😚 🤣 ,_🤗😑clearl#🤪_y, 🤫😬so the/😘😏, w😋🤐😅😘ill😙😃😅 can@$🤕🤪 st🤮rive only 😑/i😝🤤*ncompletely towa😬😑- rd diverse object😶.🤫s and can comp:🤗😋letely l$🤕ove on 😊%ly one ]at a time.　　Voice 3 (🥰young girl)😗= $🤗 🤑No😷
🤕 o=ne c🤪😛😛o😬😂😬unted on th😛🤨e🤤😴😑 futu😒re. It would=🤭🤥 never be 🤩:🤭possible to be to🤥😌ge🤩the , 😌$r later, or anywh🤩?🤕😜ere else. The/😬_re would never b
😏😙🤒😝e a😑$+ great!🤢;er fr😏🙄😶eedom.　　🤥😬Vo😅🤮ic🙂😚e 1])🙃😋 The refusa!😝;🙂l of ti😇🤗+me and of growing old au-🤔*tom 😉=😶at😁/i😁cal)🤮ly li=[mited 😍🤢🤣$😒e🤮n😘)😇🤮coun/ters in this narrow, contingen🤑t zo ?%ne, where what was lacking was felt🙄🤭) a😉😗🤒s irre,😶:)pa$😇rable. The extreme precar🤣$iousness of$🙄 th
e m:🤒ea
🤢😂🤨ns of ge😏😔tting by w😇😒ithout wo%_@rki😝🙃(😏🤪ng😋😅😍 w😷🤨$🤮as at t/😔he ?🤕#r😴o🙄😒ot of this impatienc😴🙂e which m🤕]ad🙄/./😗e e😶🤤
xces🤔😪😑🤕ses necessa;🙃😊ry and breaks 😂definit%😘ive.　　🤩😂 Voice 2 O😅🤤ne never 🤕r🙄😬@
(ea;`🤥 ll:😐😔y 😁🤐😬contests [an o%-rga😇😴😜nization o,`f e😙$😶xistence without contestin🤗😒😀g all of 🤕😷-that org`😋😁anization😀😀😗🙄's fo😴🤒🤨🙂rms of😷= 🤒 language.　　Voice 1:/ Wh😅😄en fre🤤🤐🙃e😇!d🤑🤒om is😚😆[😏 practiced in a clo($\🤨🤒sed circle, /😛😚😔it f @😑🤣ad\es into 😝_🤭a dream, becom!=🙂es a mer]😒e repr🤐😊esen🤕😅@tation of i🤭.[)😊tself. The ambiance of p🤕^la\😶y .is by🤫`` n🤥at🤢,😪😙ure😚 ( unstable. At ,😀🤑any moment or@😊d😃inary life? + 😗can preva+😔il on😛🙂ce again.😙+😷 The geo🙃,😛gra🤪😇phical 😝^limit🙄[ation 🤑)😴#of play is even more str^ iking than its temporal limi😑😂😂ta😃😒😐😙tion.)😇 Any game takes 😇🤢plac🤭e😴
$😀 😘😜^ $within the cont@😌ou🤩🤒r😃s of its🤪😗 s😋😀🤨pati😑(🤑al🤔-! domain.😃 A🤣😋ro🤥und 🤫😂the neig🤣😑🤩🙃hborh🤒ood,😍^(😆 around it`^=s fl=ee🤣t😚🤭😙ing and% threatened immobilit?😜/y, stretched 🤗a h🙃🤪_😝🤒alf-k🤨;n😄?\own city where people met only by chance,(😘🤤= l+`]😏osing t.😏🙂^heir 😀😇way forev😪😪🥰er.　　$🤨+The girls wh🤮😂😋*😊o😪; found the😑😅ir;🤭 😔😗😚way there, becau.😋🤔se t/😑h😌ey were legally 😀😬😘und;😅er the con😄-🥰🤐trol of their🤮🤭 families;🤤 until the age🤔😘 of eightee😅n, were 😏..🤔ofte😉\]n recaptured by the /🙂🤨
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w$🤗:;ere gene!@😃r 😒😑al🤑ly co🤑!nfin😶ed under th🥰,🤣e gua😝rd of 😋%-those creatures who among all the @😂bad products of🤣@? a😃 bad 😛?s/ 🤑😁o🤐😒ciety are the 🤭😐🤪😆most ugly and r``#😛🤢epugn*😀ant nuns.　🤮;🤒😪😴　What usual😀ly
^ makes documentaries so easy to = understand🤔😜 is th🤕e arbitrary limitation🤣😔*😃 o😌@%f 🤢*their😬 subject matter.😇🤔😷🤪 They%`🤑 descr.#🙃ibe the atomization 😍🤔😁of
😔 soc😍😃 🤢i al f=😉🥰]😝u😑😒_nc^🤥?😶*tion😬😄s😷🙄 and the isola)🙂.t😇😅😇-ion of thei[😑r products. One_🤪)😀 can😃), i🤨)🤮n cont😶😊rast, envisage the e😊😉\ntire complexity of a :😁 😄😁moment 🤒🤪which 🤢😷(is not resolved in🤕🥰`to a 😍🤭work, a moment😌 whose😀🤨😇😐 moveme🤮,n😗🤣🤗😏t indisso🤮😆 🤤lubly c🤪🤨o`ntai😍 😬😇ns facts and values 😉😔^😝a😗🤣`_nd who!😊😑\🤒se meaning$🤥 does not y😅🙄🤤et app(😒e!+ar__+. The subje#?ct matter of the docu
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ledge and technical me!🙂^😛ans that🤨😍 made po🤥😴ssi#🤣ble🤩🙂, and increa😶si🤣😘n😁[gl😂]y neces+🤩😏sary,[😘^ a dire😴\c#🤥😬😉t c\;on_*structi😄on of all ) ;🤐aspects😀🤒 of a (😅🤭lib@🤕😀erate🤭d affective ]🤭an😒d practical ex🤮istence. The ap🤫🤢 pearan🤭ce😝🤭 o😝f these s🥰!😘u🤨🙄😪🤫pe😃!😪ri😒😪or 😃🤥😘m😄.ea😜-%% ns of action,@ `😬sti🤮l🤭@l unused bec🤤😗a🤨🤫😇🤐🤔use 😜** 🤐of the d🤣😉elays/\😪 in:😁😔 the project 🤮😜of liquidat🤗😬😜[in😉g %/the 😁`😷commo[dity ec🤮😄ono+*my, had 🙃🤗alre🤨ady ]$%😏-c😐😘on😍😌(demned 😷aesthe🤥tic ac🤨😝-🤒🥰tivit`+😀😪y, whose a_😍🤒m ;=🤨bi/t🤥😅ions an🤩d powers were😒😍😇 both outda.ted🙃🤭.😅😷 Th😁_🙃e dec😬😄#ay o😄[😉😋f a😷😐,rt an$!🤒🙄🤤d of all th)🤕`e value😑🙃`s 🤨🤕😑[o🤮😘😚+f fo\ rmer m🤕ores had formed our sociologic-al ba,🤥😶c
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k🥰 and t😇/hei🤑#😍r ho😂🙂#me, to th ,🥰eir predicta😑(bl😔;\😇e future. F`or them !duty ha😀🤐d al😜😑ready be
🤑+😷come,🤭 a habit, and habi: t😙 a duty. They 🙄😊d🤑🤐🤑/id 😄+😔n😝😐^^ot se;😇🤮🙄e the defic(🤩iency of 🤔t😴🤔,heir city😪/. 😶(🤗The:y 😏thou/ght t
😴h🙄😔e deficiency of=😋 their li_🤫😍😪😊fe was nat😊 +😝ural. 😴😗^😍_We wa😀🤩nt😙?😶-ed to bre😏_ak out of this 😌😀😷🤩co
😌😒nditioning, in quest of🤨😗🤢😑😏 another 🙃:🤢u🤕se!= of the urban lan😄😌🤫dscape, in quest of new(🤥 😗[.🤭passions.:😁, ^+😁T🤐h`e atmosphere of a few pla🥰! (ces g😍😍ave +;🤮us 😛i$ntimati😂:😃#/ons of the future powers of😬🤫) 😬🤤%a)😊🤮😛n arch/🤒🤐😂itectu_%re i😄😇t would be😑+😜]😘 necessary to🤫😏(😜 create to be 😘the supp😋😗ort and f🤒🤒ramework for le🙃🤕 ss mediocre😑=😛 😄
gam😉]#🤮es. We could expe🤪^.ct🤔🤭😆 not🤥😌hing of an`ything we ha🤔%🙂d not ,-ours😷😴elv🤢😏es alter_;😴😜ed. The urban envi;ronment proclaimed the orders and tastes of the ruling 😶😗😐🤕?society 😉.🤑just ;😌as v🙃🤕i🙂olent😬🤪😛ly as $🙃🤭the 🤤🤐😙(n=😗😑e=😅🤔.wspa🤑 pers. 🤗😬It i😉😇s🤕😝😶 m😄\a*#n w[🤭ho makes the unit\y of the world🙄😜😶😇,😐🤐 but man h😋\\🤢🤩as extended himse🤫lf😜😔 😁🙄-everywh🤩
[ere.^🙃 People can@! see-= )🤭nothing😉😛🤒 😊😘around them tha-🤭t is n-😉[🤥%o😌.😆)t t😴;heir :😜😷own image;😝, ev😶 😀😶😬erything spe😔==aks to the!m of themse$😁lves. Thei:/:r very l😄🙂ands🤔+🙃😆c🤣😷🤒ape😍 is a😆😇l😏😉ive. There were o?😷😂=😬bstacl😉😬😇es every😊😘)where. Th/ 😑ere w😁(as a coh😷!esio😝😗n😘😐. 😋:in th😬😔🤪e obstacles of *🤔😋all types.😛= They mai😆
🙄(😏ntaine😃*🤭d 🤥the co😉🤕😀😏herent😊 😚🙃re#🤕ign of pover,😅+🤩😉ty. Eve😅😛😍r😄y😐 thin] 🥰😋g being conne+😍( cted, it was nece🤪/😃ssar😛`y ? ;😀to 😍😴 change everyt*hing 😃😂🤩:🤤b😑,y a unitary %)😏😔😜struggle🤗😜, or 😙😁😇😬nothing. It was 🤕/nece😝
ssar😑/y 🙃_to link🤭 😊😗🙂up with the 🤩🤔masses, 😍`😑
but we were surro`😒🤮unded😀* by s😑leep.　　Voice 3 The 😗!#dictato😏😃?rship o🤔😘f th😝 e prole😛.:😗tariat )😝`😅😷is a😀@🤮 desperate struggl🙂]🤕e, bloody and bl😝😪oodl%$ess, viol😐🤤 ent 🤒🤪🥰😋🤪and pea😏😂cefu😑🤐😉 l, mil🤗 +ita😑😁ry and economic, educat😋?ional_🙃😬🤭🤥 and administrative, a🤭gainst th\:😝.e forces and😍😉 tr🤪😗adition😘🤨s of th😶😗$😁e old world.　　V%_oic🤣😍😁*e] 😄 😶🤭🤮1 I😴😆/😀😍n th🤭🤐😪i🤩 😔s country it is once !*again the 😀😅/me🤤😝+%n o🤮=f order w🤪🤑ho have😜@😔 rebe/*$😪lled. Th🤕🤪ey ha🤩 )🙄ve 😗😙🤢🤮reinforced t[😴 heir .😅🤤power. They 🤔🤑😬.h:^ave been a😜ble to aggravate the 😙😆g😜🤗
😔😒rotesqueness🤐🤫🤥😁 of😙😁😷😊 the ruling cond🥰itions (🤥😋according to#😴😌 their will. T,hey h#😙((av😪😜e embellishe(_d the@😊ir🤔% syste😅🤩m wi
🤕😶😙t🥰😜h th;e funere 🤕😛😉al 😛😇😜cer.🤩emon😆🤥🤐ies 😋😂😏 of🤪🤩[? th😗😆😗🤥e past.　　Voice 2 Years, [😶🤑😅li🤫😝🤑ke a sin😪😌🤤😃g😘🤤le ins#+tan😀🤣😔t pro😝🤢$🙂long😙🤨😋e😙😊d to this po_int🤒 , \🤥come to🤣 an 🤥😃
;end.😅🤪😏　　😑😜😪\V😚oice 1 What was dir🤗🤢🤑ec😁tly 😀!-😘😔lived reappe🤫🤭ars 🤢😷froz😙😃en in 😊_😌*😐the distance😴🤫😆=🤢, fit i😙🤪nto t🤐he tastes an🤗🙂d illusions😘( of 😶 an era, carried aw:ay with it.　　Voice 2 The 🤗(🤪🤑🤐appearance of ev^🤪ents tha;😋^😌t we h🥰*=av`
😶e not made[,😚#, that oth🤭ers have made ^😘🤒a🥰!-😏🤪gai)😝n😑😂st us, now obli😄😇ges us 🙄,🤢\t😘😙o be aware 😶😍😪)of😉😍 😅😀😂🤕the pass?] =age of time🤐🤑,😔, it🤮🤣_🤩😒s results, the tra😆😗nsfor😁😛-😛mat🤫😜😷%io🤨 😍n\🤨😉😄🤗 of ou😷)😙😛😘r 😁)🥰o😶😋 wn desires into events. Wh😚:`😏at dif😶😗?🤨ferentiates t🤮_🤮)he p😒/🤫ast from the present is pr🤩
🤐ecis🙄😒el😇😋,-y its 🤮o,ut-of-re🤭😙ach objectivit😀$y; there is*🥰 no m🤩😴*\ore shou🤮🤨😄ld-be; 😌😷😅be
$i😇[ng is so consumed 🤐😛t🤨😐😋hat it h#🤭as ce😙😐.[ased 🤫\to 🤒exi🙃🤮st. Th😴😄😋🤗e details a/$😍🤐😏r🤐]#e 😗😇😒😔alrea%😁dy l`@ost *🤕in t😊🤣he dust of time.😶^ Who^. was afraid of lif😔?e😜😷*, afraid of the :
night, afraid 😚😏😗 o\ f]
;[ 😔😙?`*being😍🤤/😃🤪 taken, afraid of 😶(b😬😝$🤩eing ke🤥pt　　Voice ^🤭3 Wha🤔😜t should be abolished c🤨🤔😊🙄ontinues, and😬🤮 🙂we continue ^#$to😑😊 wear /,😉away😉: with @/.🤑it. 🥰= We are engulfed. We are!😴😛😄 separated. The y+🥰😋😝🤗ears *\`%pass an😪😁😉d we h😉^a.ven't 🤫😬🤕changed anythin😔😏g.　　Vo]😌i🤫😝😪[ce 😬😔2 Once aga🤭in m🙃🤣orn😅 ing in the🤑😋 same street😚:+s 🙄. Onc:;😘e🙂😐 a🤤🤨gain_🤐: the fatigue of so many🤗🤐😴😙 s@😝imilarly passed😪😀; 😏😬nights. It is 🤕+🤣a walk🤣 that has last🤒🤑😶ed a lo😂 ng ti😂😀me.　　*😝😔🥰Vo🤣🤭😅_ice ,`🥰1😬😶(🤫 Really har] 🤒`d t😃😇o d.-r😴😃i^😝n😝k more.　　Voice /🤮_🤪2 Of co_urse one might make a 😃`film of it. But even if such😇🤗😀🤥 a 😜@_\fi
😷%$lm +:#😜🤪succeeds in b🤪🙄ei😔🤨ng as 😔🤭🤮-fundamen!🤐🥰ta😷😚🤩lly disco:_nnected 🤗🤢and unsatis🙄fy_😷ing as the real😆^😍😅ity it d😶 ea🤩ls wi🤐🤐th🤕🤭 ,😋 it(🤭 🤗 wil🤭😇😙🤒l n😇+ever😴[😀
be m-🤐^🙂ore than🙃.;; a re-cr😴🤢\,eation ” poor 🤔and false like this🤕🤐😪 b😷
otched t(😁😆ra🤒😙/veling shot.　　Voice 3 😝🤭\There are🤨 😆 now pe%😅😷=ople who prid😂e t🤭:)hemsel🙄😌🤔ves on be😄🤩ing author😄🤐😙s 🤥😜🤭of films, 😍as oth😀😘🙂.]ers we😝@re authors of no😌😑🤢ve🙂?l😚😴s. T🤕🤪hey ar:😶e eve😃🤗n mor- 🤢e $😂😒b😙🤩/ackward😙( th😐😜🤤an the noveli_sts b😙,ec😶]*ause they are unaw.😶are 😋🤐o😙^f the d😪🤕😚%ec😂🤒😂.🙄om😜🙂😝position 🥰🤢🤕and exhau😒😀stio🤔]🤮;😋n of individual expres=]sion😋! i)+n 🤣our time,] ignorant of the end o.[f the arts😊😴 of😁
! passivity. They are prai😘s:)🙃😴ed for th🤭eir sinc🤐😶(erity since 😉:😃🤒the🤪😚🤕😬!y d,@🤔ramatize, with$(😚 🙂😃🤥😃😙mor(e pers^,(onal d+%@epth,🤨 th%
e con$@😒ventions of wh😒😉ich(😔😏 t!🥰heir li🤫😐fe consis😙#\t😀?😘s. There`🤭🙃 is)(😆 talk🤥 of 😑the liberatio_#😗n of th🤤😚e cinema. But w😄_]😙hat😘 does it matter to😆😆😗🤗 us if😆 one more art is +:?(liberated thro%😁 ugh wh🤐ic+😉^🤢h😅-😛 T^🤣.om, Dick or Harry 🤗🤒#😊@ca😜(n😶^ 😀🤪_😔joyously@😒😉 e😴🤨😬xpr🤔*🤑)ess-$ thei;😝🤩r sla.*;vish😘% sentimen)😃😝🙃ts Th😚\?😛e only interest 🤤🤐ing ven😍tu😊😇😁🥰re[ is🤭 😜 t🤗%:he li😏😃/🤕b😘😒eration of every[/day 😶🤒😃l🤭ife, n😝;/😝ot only in😐 the pe😴😌rspective$😬s o😋🤨$f history b\😬ut for us and right away. This 😷🤪😔😉ent😄😴ails the wi)😏t😄😊;h😆🙄*😃😁erin🤢#😔g🤫=;😉 away of al.😅😃🤥🤔ienat(ed `[🥰forms😏=😚 of comm😇un🤢#(?😃ic😴😋😝/atio😄`n.^😐 T🤐*🤤😉he cin🤮😔ema, too, *🤒has 😍🤭,to be des🤢*😉tr🤗🤤oyed.　　Voice 2 I😄🤭n the fi🤮😍nal analysi🤨🤗😬s, stars ar😗🥰🤨😪e @😑🤔😚cr😂(😙e😀-]ated by the ne😇😂ed we h!🤭a😃ve fo] r them, a]=🤨
)nd not 😗🤮🤫by 😔😏😙their 😃🙄,.t 😷al*ent 😅😐or😛) lack of talent or :eve😑😑😷🤔n😑😚.😍 by the film industry or adve🤒😃rtisin😄🤫?g. Miserable n🤗)eed, 🙄!di😊=smal, a:nonym🤫
ous life th#😪)at wo🙃😄uld😁😛!😆😏 l🙄,ike to expand😐🤪@ it,😇)self to the di😃🙃)#me.+nsions of cine😑🤩😍m😷🤔`a 😌😄$ life]🤢😄. T=😐he imaginary life😝- on 🤮[🤥the screen 🤭😷🤣😬is th_%e pro\😴,😍d😶^uct🤐%😘+ of 😑😀this real need. -😚T=😪🤤😴he star is the proj😄🙄😄]ect🤩io🙃🤩$n🙃,! 🙃
/of🤪😗 this need.　　The images of the ad\🤨🤕ve😏:🤑🤔r,😘🤨tisements d=🤕😔u😗_🙂ring the 😂😜in😶🤕😑term,
issions a😍,re m😁🙄ore suited than an🤢😙y others🤔😍% f🤔🤢😏or e🙂🤤 😗voking an🤔😜 intermission of li)*😑fe.　　To real[😴@ly des😏🤤🤨c🤗🤒😄ribe th *:,is%% .- era it would no,😇 doubt be neces`$😆😐sary to show🤣🤨🤒 many o?😷😑ther thi😚😑!ngs. 🤥But what would be 😙/🙃th 🤭e🤐😆🤐🤒 🤥🤐point　　B😆🤐et😍😛ter to gra@😚🙄😁sp the totali😐😅ty😅 of wh🤥😚a.🙂🙃😷t has bee.$😇😆😆n done and)_ what rem😶😆🤭🤪a🤐😆;🤮ins to be😛! done than to add🙃🤨🤤😙 more ru=🤩🤒ins t!😅o th🤗😜e old world 😏😪of the spectacle and 😛]🤕of[%😅😃 memorie😋s🤪😪.　　1. 😙[😗T🤗h🤣is🤫- film, which evoke;😐s🤐 the😔$🤑 le\,🤣😒ttr🙃😚ist 🤤experienc🤭es at th😴🤒🤒[😇e 😙origin of😝😍 the situ]😘😃😴+at😷😀😁ioni🤐😙😍st movement, opens with s😴)😴 😋hots😜#🤨 of the P/🤨a🤢ris distri🤤
😙😪🙃c🤤/😶t frequ%ent😂ed by the le🙂😔😴ttr🤢😚😏
ists in t😴😚he 😐(early 🤔1950]%s.