ๅงๆ ็ฎไป
ใ不安๐๐ค分的年轻人们ใ่ฎฒ่ฟฐ็ๆฏไปไนๆ ไบ๏ผ
ใ不安๐๐ค分的年轻人们ใMiddle class s๐๐$tude ๐:๐๐คn๐๐t Bob Let๐ellier enters a @๐ne;=๐w wo๐๐คr,๐๐๐คฃld๐* when he meets๐/@- Alain๐๐, a free-thin ๐ค king rebel who, along ๐๐=with his g๐roup ๐คฅ-of young Parisians]๐ +, has opted for ๐a lif? %e ๐ฅฐ\ ๐ถof instant.๐คข๐๐ค gratific๐at๐i๐๐on instead ๐คช๐of๐๐๐คฉ work and ๐ค๐ com๐คmitment. At a party๐!, B ob meets a youn๐คซg๐ช๐ท๐คญ woman, Mic, wh๐ค๐ ๐ฅฐo app๐คฃ๐๐]ears t๐คช๐o be just as c๐aref๐๐ชr๐ =ee and๐คฅ c๐๐๐คจ*y+๐คช๐nical ๐ถ;as Alai๐คญ๐คช๐คฉn.๐ถ+๐๐๐ Mi๐!]๐ดc-๐คช๐'s on๐ช$ly dream is ? ?to own a luxury car], and๐:๐๐คญ with Bob's ]?help, she manages to find[ the money๐ค๐ค๐ ๐ ๐to but it. Mic's f๐คญ๐ri๐ ๐end Clo ๐คdiscovers sh๐ช e is ๐ p=regna๐๐ทnt and, not ๐๐ ๐-knowing wh ๐๐o the father is, sh๐๐คe ๐ค=a๐$s ๐คช ks Bob to mar๐ค๐๐๐ry her. When they๐คฅ๐๐ด nex๐คข๐๐t๐-๐ meet๐๐๐คญ at a party, Bob๐คฎ๐ and Mic deny[ , that they๐๐ have a^๐ค๐คฃ๐ny feelings for /#๐๐one๐๐ another - a declar\๐๐๐at๐๐คฉ[-io#๐,n that soo๐คจ๐๐n le,,๐๐ทads to trage๐ทdy...ใใใใMarc๐๐คฉ๐ค+el Carnรฉ๐ ๐/๐คis=๐ widel+๐ฌ[y ๐๐๐คญreg๐๐ทard๐คข๐ed as on๐ด๐คฃ๐e of the stand๐๐๐@ard bearers o; .๐ f French +๐คqu๐๐๐ality ?cinem๐ (a๐๐ค of the ]๐๐@1930s๐๐ค๐ฅฐ and 1940s, responsi ๐๐ble for suc๐h๐ค๐๐ฅฐ m๐_๐คa!๐คster ๐คp๐ค๐ie๐ ๐ดc๐๐`)es as Quai des b๐๐ฅฐrumes๐ถ๐ ๐๐ค ((๐คฃ)๐ค1!. 938) an ๐ d L+๐-๐#es En๐คช๐ค)fants du Para๐ค๐คd๐๐คขis ๐!๐คฉ(1945)@:. How #?๐คค๐ir๐๐onic๐ ๐$ the)๐คขn ๐^that, ๐ค๐ค+๐`in; 1958, towar.๐ถ,๐คds t ๐)๐(he๐ end of his-๐ film-maki_๐๐ng ๐ career, he should make a film whic h dared to ๐ค ๐๐คค๐p@:๐ortray the a^ ttitu๐%]๐ถ๐des and behaviour ๐๐คญof ๐ฌ/,๐ดthe 1950s youth, in a wa๐๐คค๐คซ๐?y that ef๐๐ fe^๐ ,๐ctiv๐คฅ#๐_ely cap๐tur๐๐คคes the mood and sentiment๐ถ* ๐๐ of the ๐๐๐time.ใใใ๐คช๐:๐คคใLes Trich ๐๐eurs was a ๐`h๐๐๐คซ๐ug๐คฎ๐๐คจ๐คช๐el.\๐คฅ$y ๐controversial film, not least beca๐ค๐ฅฐu se of๐๐ its ๐ค? blatant depiction of -adolescent fr๐คซ๐ช๐ด๐ฌee-lov ๐๐๐e, an๐๐๐d was e๐ ven ๐๐คซ๐๐คชba๐คจ๐๐ฅฐn๐ค;๐คคned in[๐ฅฐ +๐คช some re gi\๐๐ons of Fra๐ค๐คจ๐\nce. It also recei๐ช%ved som(+e intensely unfavourable revie๐๐คฅ๐w๐๐คจ๐คฉ๐s, most not^[abl๐๐๐คคy ๐?๐ทfrom๐๐ t%=-he ๐คฃ๐^young ho_๐คt๐คค-๐heads on the C๐๐ahiers du c(๐๐inรฉma such ๐คชas Fran?;=๐๐คois T.?๐ถ๐ถr๐ค@uff๐ค@aut who ๐คฅ๐cited this f ^il๐$?[๐ฌm as๐ช๐๐ a p๐ค๐ฌ๐๐คญrime example\ of the decline of French cinema in๐คฉ+:to me๐ค๐๐diocrity. In spi๐๐ค?:๐คจte )o๐-๐ชf๐๐๐ช all this negative press, the film prove๐๐d to be an astonishing c*#omme(#๐คฎrcial success,, ๐ attractin=g five million :๐ค๐cinema-goers๐คญ๐๐คค, and wa๐๐๐๐s๐คข๐๐ค๐ a-๐w๐๐๐a๐๐๐ rde!๐คซ*d๐ค th๐ฌ๐คช,e๐ท / Grand๐๐คจ๐คญ Pr๐คix du C๐๐ท;)inรฉma fran?ais in 1958 .ใใใใW๐ค hilst ๐๐Les ;๐ช๐Tr*๐คicheu๐๐rs ๐คฎ/%๐ฌ๐is no๐ค๐t as flaw๐/๐ค๐ less a๐คค;s Carnรฉ's earlier\)๐ maste .๐r p`๐:๐i๐๐ท๐คจeces, ๐คซ๐it ๐คฃ๐คฎ๐คis no,nethele #ss a signific๐คญ๐ant wor# :๐k, having ๐๐๐๐ the pow๐๐er to both shock ๐๐๐คฅand move its audi ;]ence, ๐๐ฅฐ?whilst h๐ฅฐ$๐a?)๐ท=?ving g๐๐๐คฅ ๐ดreat en๐๐๐๐คฅ๐tertainment valu : ๐คe.๐ ๐คฎ It๐ค!๐ด e๐๐คขv๐๐ค๐oke-๐s.๐คจ the m ๐คo๐#, od of its ๐คฉ๐time in a way that fe+๐ค ๐คค^w Frenc๐ฅฐ๐๐=h films of t:his period ` did, depicting ๐ช๐คซyoung people as ๐๐p๐[๐ฅฐ/l๐๐e๐ค(๐คฎ`asure๐๐-see๐๐ki๐ค๐๐๐n๐คช:g rebels, r+๐eje๐คฉct`๐คจing the auste๐ค๐)rity and d๐คข isciplin ๐ถe of the previ๐คซ`o๐\us ge ๐คฅn๐คญ๐ฌ๐ er๐ค ๐๐ation whilst -[pursuing ๐คฃ ๐+a*[ life๐๐คจ without cares๐ค, responsibiliti๐คซ๐ฅฐ๐คซ๐es or love๐๐๐ด . ๐คค Simil%๐ค๐ariti๐๐คญ๐es wit\๐คฉ:h James Dean's films of the 1950s (mo+๐คฎ๐st notably Rebel without a Cau๐ถ๐ฅฐse๐ ) are๐คช-๐คฉ appare๐_๐คnt,#@๐๐ฌ al๐ค๐ฌt๐คฃ๐hough ,๐ Car#`/ nรฉ's trea%๐ฅฐ ๐คขtmen๐ค _๐คคt of young๐? ๐ ๐people +๐ is far ๐คค:๐ทmore abstract ๐คฃ๐- in /๐ช/๐คขhis fi!๐คซlm they mere๐คฃ๐ค-ly๐$! symboli๐๐ ๐ se a world that has los๐๐๐t its wa๐;y, more๐ช] or less vi๐ฅฐ`๐ฌctims of pos/t๐คฎ -war pr%๐ถ๐)osper$* ๐]i๐๐ค๐)ty. Althoug ๐h the yo๐_ung peop๐ฌ๐คช๐:le in๐ถ๐ L es Tricheurs lack the๐๐/๐ ๐ค /authenticit๐คจ๐คข,y to be totall๐ช๐ช*y ๐คฎ:๐๐คcredible, the fi๐๐คฅ๐๐ฌ๐lm ๐does m:%๐)ak ๐คจe`)๐ค an important, and i๐ฅฐ๐ท๐คฃndeed quite dis๐ *๐ฌtur๐:๐ bing po๐๐ฌ ๐int, about where the permissive .s@๐๐ฌ๐คชoc๐๐ iety๐`๐ may be heading.ใใใใMuch of the pleasur% ๐คช;e of t ๐ค๐ท#๐ฌhe film+๐คฎ\=๐ i๐คจ s in the pe๐ฅฐ*r๐_;for ๐คจ ๐`ma๐คฎ:๐ดn๐ช๐คค.๐c^๐$๐คซes from๐๐ฌ๐๐คช๐ its ๐ค#)fou๐๐ท๐๐ท๐r lead๐ ๐๐ actors, Jacques \:C-๐@harrier+๐, Pas๐๐คข-cale Pe๐คค๐คฃtit, Laure= ๐คฅnt๐ช Te๐ฅฐ๐คช๐๐ดrzieff #and A๐คช๐๐คndrรฉa Pa@^ris_:y(/๐ฌ,๐๐ al %๐t๐๐hough%๐คฅ๐ o^๐!๐คฃnly T erzief๐ด๐f :๐๐is ๐`๐คข]๐r๐*eally conv๐?incing in๐คช# ๐ช his ๐ค๐ชrole. Mar๐ค๐ค-๐คขce^๐(l Carnรฉ originally๐๐ค๐ ๐ค consid๐ค๐๐ค๐๐ e๐๐๐ถ re๐๐คฎ๐คฎd Alain Delon๐คฉ_ and ๐๐//Jean_%๐คจ-๐๐๐Pau๐ ๐๐ชl Bel mond๐๐คข๐คฉ๐คชo for ๐\ the parts ๐of Bob and Alain re_/spectively, before ๐ค@ ๐op๐คจ tin*#๐ช๐g _๐๐fo`r Charrie r ]๐คฎa๐๐ท\nd Terz]ieff. A๐ค\๐๐คฅs ๐ค-a consol๐๐ค๐ation,๐๐ฅฐ Carn$(๐ครฉ offere๐๐คชd Belmo/+ nd๐๐คชo ๐a ๐๐small^๐ ๐คคer part in, t\he fi๐ด๐ดlm -,๐ค๐ al.๐คค๐.as t๐คฉo๐คช๐๐o ๐คฎ๐ค๐ฌ๐๐คชsma๐ll๐คฅ๐ ๐๐ for %๐ค๐,๐the actor to be ๐)noticed by the public. Belm๐คฅ๐ond)o๐คฉ*'s breakthrou๐gh ha๐คข๐คช[d๐๐คจ๐ to ๐$๐คฎwait_) ) u-๐๐คฉntil the follow๐๐คจi๐ฅฐ๐.๐คng ye/๐๐คซar when ^# ๐he,๐ s๐ค๐ชtarr๐ค[๐คed%๐คฅ๐ฅฐ๐คค in ๐/๐คJean-L๐คuc Go^+๐%๐ฌdard's ๐๐๐#revolut ,.๐ค๐คขionary\๐ A๐๐๐๐ bou#t de๐๐ souff๐๐๐ท๐(le๐๐^,๐คซ๐คข๐คข๐% a film whi๐ค๐๐คญ๐]c๐ค๐h of๐,fers a ๐คข_ v๐% ๐๐ery di@๐ถ`ffe-@! r ๐๐๐en๐คฃt_ perspective๐๐๐ค o๐ช๐ค f the y ๐ค๐outh ge%๐neratio?[๐๐n.
ไธใใ不安๐๐ค分的年轻人们ใๆฏๅชไธๅนดไธๆ ็๏ผ
ใ不安๐๐ค分的年轻人们ใๆฏ马塞尔ยท卡尔内ไบ1958ๅนดๆๆ็ไธ้จ็ปๅ ธ剧情片ใๆญค็ๅผๅ法国ๅฝไปฃ剧情片็ๅ ๆฒณ๏ผใ不安๐๐ค分的年轻人们ใไธๆ ๆถ็ฅจๆฟ็จณๅๅไธ๏ผๅไธๅฝๅนด็บชๅฝใๅฝๆถ帕斯卡尔ยท普缇,安德丽ยท帕里西,雅克ยท夏里尔,洛朗ยท特兹弗,让-保罗ยท贝尔蒙多,达妮ยท萨瓦尔ๅไธบๆไฝณไธป่ง๏ผ帕斯卡尔ยท普缇,安德丽ยท帕里西,雅克ยท夏里尔,洛朗ยท特兹弗,让-保罗ยท贝尔蒙多,达妮ยท萨瓦尔ไปฅ็ฒพๅฝฉๆผๆๅ็ชๅบๅฝข่ฑก๏ผๅฅ ๅฎๅจ法国ๅฝฑๅๅฐไฝใ帕斯卡尔ยท普缇,安德丽ยท帕里西,雅克ยท夏里尔,洛朗ยท特兹弗,让-保罗ยท贝尔蒙多,达妮ยท萨瓦尔้ฅฐๆผ่ง่ฒ้ ๅๅคๅนดๅไปไธบไบบๆๆจกไปฟใ马塞尔ยท卡尔内ไนๅๆพ่ขซไบบๆ็ๅ ถ่ฝๅ๏ผ่ใ不安๐๐ค分的年轻人们ใๅดๅฅ ๅฎ马塞尔ยท卡尔内剧情片้ฃๆ ผใใ不安๐๐ค分的年轻人们ใ้ฆๆ ๆถๆพ่ทๆตทๅค剧情片ๅๅชไฝๅนฟๆณ็งฐ่ช๏ผ่ขซ่ฎคไธบๅ ถไผ็ง็จๅบฆ๏ผๆฏ่ถณไปฅไธๅๆถๆ๏ผๆ1958ๅนดไปฃ๏ผ法国๏ผ法国๏ผไผ็ง剧情片้ฝๅใ
ไบใ่ขซ็งฐไธบ剧情片็ๅผๅ ๆฒณไนไฝ็ใ不安๐๐ค分的年轻人们ใ๏ผๆฏ马塞尔ยท卡尔内ๆๅฅฝ็ไฝๅๅ?
ไป马塞尔ยท卡尔内ๆฉ่ท剧情片ๆไฝณๅฏผๆผ ๆๅฐฑ่งๅพ่ฟ้จใ不安๐๐ค分的年轻人们ใๆฏไปๆๅฅฝ็剧情片ใ่ฝ็ถ马塞尔ยท卡尔内ๅๆฅ่ฟๆๅบๆฅไบ่ฏไปท็นๅซๅฅฝ็剧情片๏ผไฝๆฏใ不安๐๐ค分的年轻人们ใๆฏไป剧情片็ไปฃ่กจไฝๅใ
ไธใใ不安๐๐ค分的年轻人们ใไธบไปไนๅฏไปฅๆไธบ็ปๅ ธ๏ผ
ๆ่ตท法国๏ผไบบไปฌๅฐฑ่ฏๅฎไผ่ฏดๅบใ不安๐๐ค分的年轻人们ใ็ๅๅญใ่ฟ้จ็ฑ马塞尔ยท卡尔内ๅฏผๆผ๏ผ帕斯卡尔ยท普缇,安德丽ยท帕里西,雅克ยท夏里尔,洛朗ยท特兹弗,让-保罗ยท贝尔蒙多,达妮ยท萨瓦尔ไธปๆผ็ใ不安๐๐ค分的年轻人们ใ๏ผๅจๅฝๆถ๏ผ็็ๆฏๆไธบไบไธๅน้ป้ฉฌ๏ผๆๅบไบไธๆก่ก่ทฏ๏ผๅ้ ไบไธไธชๅฅ่ฟนใไธบไฝไผ่ฟไน่ฏด๏ผๆๆณ๏ผๅฐฑ่ฟ马塞尔ยท卡尔内ๅฏผๆผๅ帕斯卡尔ยท普缇,安德丽ยท帕里西,雅克ยท夏里尔,洛朗ยท特兹弗,让-保罗ยท贝尔蒙多,达妮ยท萨瓦尔๏ผ้ฝๆฒกๆณๅฐ่ฟ้จ剧情片ไผๅพๅฐ่ฟๆ ทๅฅฝ็ๅๅใ马塞尔ยท卡尔内ๅ ็ๆพ่ฏด่ฟ๏ผ่ฟๆฏไธ็พคๅคฑๆ็ไบบๅๅฐไบไธ่ตทๅไฝๅบๆฅ็ไธ้จไฝๅใๅ ไธบๅจใ不安๐๐ค分的年轻人们ใๅผๆไนๅ๏ผ帕斯卡尔ยท普缇,安德丽ยท帕里西,雅克ยท夏里尔,洛朗ยท特兹弗,让-保罗ยท贝尔蒙多,达妮ยท萨瓦尔ๅทฒ็ปๆๅ ๅนดๅนดๆ ๆๅฏๆ๏ผ่帕斯卡尔ยท普缇,安德丽ยท帕里西,雅克ยท夏里尔,洛朗ยท特兹弗,让-保罗ยท贝尔蒙多,达妮ยท萨瓦尔ไธปๆผ็剧情片๏ผ็ฅจๆฟๅง็ปไธ็ๆณ๏ผ่ฟๆ ท็ๅ ไธชไบบๅๅจไบไธ่ตท๏ผไน็ๆฏ็ผๅ๏ผๆไปฅ๏ผๆญฃๆฏ่ฟๆ ท็ๅคฑๆๆๅๅผบ็็่ชๅฐๅฟ๏ผไปไปฌๅจ剧情片ไธญๆๅ ฅ็็ญๆ ๏ผๆฏๆไปฌ้พไปฅๆณ่ฑก็๏ผๅ ถๅฎใ不安๐๐ค分的年轻人们ใไธญ็ไบบ็ฉๅฟ็ๅ็จๅๆไบบ็ๅงๆ ๏ผไฝๅฐไธๆฏ็ฐๅฎไธญไปไปฌ็็ๅฎๅ็ งๅข๏ผๆไปฅ๏ผไปไปฌๆ็ไธ่ ๅฟๆไธ็็่ฑ้ๆฐ๏ผ็จไปไปฌ็ๅฎๅๅไบบๆ ๆๅฐฑไบ่ฟ้จ็ปๅ ธ剧情片๏ผไนๆๅฐฑไบไปไปฌ่ชๅทฑ๏ผ
ๅใๅฆไฝ่ฏไปทใ不安๐๐ค分的年轻人们ใ?
ใ不安๐๐ค分的年轻人们ใๅฃ็ข้ๅธธๅฅฝๆทฑๅๅนฟๅคง่งไผๅ็ฑ๏ผใ不安๐๐ค分的年轻人们ใไธ็ปๆญๆพ็ซๅปๅผๆฅๆ ๆฐไบบ็น่ต๏ผไธไป 帕斯卡尔ยท普缇,安德丽ยท帕里西,雅克ยท夏里尔,洛朗ยท特兹弗,让-保罗ยท贝尔蒙多,达妮ยท萨瓦尔ๆผ็ๅฅฝ่ไธ่ฏฅ剧情片ๆ ไบๆ ่ไน้ๅธธ็ดงๅ๏ผๅผๅฟๅฝฑ้ข๏ผwww.kaixinketang.com๏ผ่ง็่ตทๆฅ็นๅซๆต็ ๅๆถ่ฟ่ฝๆฃไบบๅฟๅผฆ๏ผ่ฝ็ถ็ฎๅใ不安๐๐ค分的年轻人们ใๆถ่ง็ไธ่ฌไฝๆฏ่ฏฅ็็ฎๅๅๆฌข่ฟ็จๅบฆๅทฒ็ปๅๅๅ่ ใ่ฏฅ剧情片ไธปๆผ帕斯卡尔ยท普缇,安德丽ยท帕里西,雅克ยท夏里尔,洛朗ยท特兹弗,让-保罗ยท贝尔蒙多,达妮ยท萨瓦尔๏ผๅฅนๅจ่ฏฅ剧情片ไธญ็ๆผๆๅฏๅๅฏ็น๏ผๅๅฐ帕斯卡尔ยท普缇,安德丽ยท帕里西,雅克ยท夏里尔,洛朗ยท特兹弗,让-保罗ยท贝尔蒙多,达妮ยท萨瓦尔ๆผ็ๅฅฝ่ไธ่ฏฅ剧情片่ฟท็่ฎคๅฏใ
ไบใใ不安๐๐ค分的年轻人们ใ剧情片็ไธป่ฆๅ ๅฎน
ใ不安๐๐ค分的年轻人们ใๆฏไธ้จ剧情片剧情片๏ผ็ฑๅฏผๆผ๏ผ马塞尔ยท卡尔内ๆงๅฏผ๏ผไธปๆผ๏ผ帕斯卡尔ยท普缇,安德丽ยท帕里西,雅克ยท夏里尔,洛朗ยท特兹弗,让-保罗ยท贝尔蒙多,达妮ยท萨瓦尔
ใ不安๐๐ค分的年轻人们ใMiddle class s๐๐$tude ๐:๐๐คn๐๐t Bob Let๐ellier enters a @๐ne;=๐w wo๐๐คr,๐๐๐คฃld๐* when he meets๐/@- Alain๐๐, a free-thin ๐ค king rebel who, along ๐๐=with his g๐roup ๐คฅ-of young Parisians]๐ +, has opted for ๐a lif? %e ๐ฅฐ\ ๐ถof instant.๐คข๐๐ค gratific๐at๐i๐๐on instead ๐คช๐of๐๐๐คฉ work and ๐ค๐ com๐คmitment. At a party๐!, B ob meets a youn๐คซg๐ช๐ท๐คญ woman, Mic, wh๐ค๐ ๐ฅฐo app๐คฃ๐๐]ears t๐คช๐o be just as c๐aref๐๐ชr๐ =ee and๐คฅ c๐๐๐คจ*y+๐คช๐nical ๐ถ;as Alai๐คญ๐คช๐คฉn.๐ถ+๐๐๐ Mi๐!]๐ดc-๐คช๐'s on๐ช$ly dream is ? ?to own a luxury car], and๐:๐๐คญ with Bob's ]?help, she manages to find[ the money๐ค๐ค๐ ๐ ๐to but it. Mic's f๐คญ๐ri๐ ๐end Clo ๐คdiscovers sh๐ช e is ๐ p=regna๐๐ทnt and, not ๐๐ ๐-knowing wh ๐๐o the father is, sh๐๐คe ๐ค=a๐$s ๐คช ks Bob to mar๐ค๐๐๐ry her. When they๐คฅ๐๐ด nex๐คข๐๐t๐-๐ meet๐๐๐คญ at a party, Bob๐คฎ๐ and Mic deny[ , that they๐๐ have a^๐ค๐คฃ๐ny feelings for /#๐๐one๐๐ another - a declar\๐๐๐at๐๐คฉ[-io#๐,n that soo๐คจ๐๐n le,,๐๐ทads to trage๐ทdy...ใใใใMarc๐๐คฉ๐ค+el Carnรฉ๐ ๐/๐คis=๐ widel+๐ฌ[y ๐๐๐คญreg๐๐ทard๐คข๐ed as on๐ด๐คฃ๐e of the stand๐๐๐@ard bearers o; .๐ f French +๐คqu๐๐๐ality ?cinem๐ (a๐๐ค of the ]๐๐@1930s๐๐ค๐ฅฐ and 1940s, responsi ๐๐ble for suc๐h๐ค๐๐ฅฐ m๐_๐คa!๐คster ๐คp๐ค๐ie๐ ๐ดc๐๐`)es as Quai des b๐๐ฅฐrumes๐ถ๐ ๐๐ค ((๐คฃ)๐ค1!. 938) an ๐ d L+๐-๐#es En๐คช๐ค)fants du Para๐ค๐คd๐๐คขis ๐!๐คฉ(1945)@:. How #?๐คค๐ir๐๐onic๐ ๐$ the)๐คขn ๐^that, ๐ค๐ค+๐`in; 1958, towar.๐ถ,๐คds t ๐)๐(he๐ end of his-๐ film-maki_๐๐ng ๐ career, he should make a film whic h dared to ๐ค ๐๐คค๐p@:๐ortray the a^ ttitu๐%]๐ถ๐des and behaviour ๐๐คญof ๐ฌ/,๐ดthe 1950s youth, in a wa๐๐คค๐คซ๐?y that ef๐๐ fe^๐ ,๐ctiv๐คฅ#๐_ely cap๐tur๐๐คคes the mood and sentiment๐ถ* ๐๐ of the ๐๐๐time.ใใใ๐คช๐:๐คคใLes Trich ๐๐eurs was a ๐`h๐๐๐คซ๐ug๐คฎ๐๐คจ๐คช๐el.\๐คฅ$y ๐controversial film, not least beca๐ค๐ฅฐu se of๐๐ its ๐ค? blatant depiction of -adolescent fr๐คซ๐ช๐ด๐ฌee-lov ๐๐๐e, an๐๐๐d was e๐ ven ๐๐คซ๐๐คชba๐คจ๐๐ฅฐn๐ค;๐คคned in[๐ฅฐ +๐คช some re gi\๐๐ons of Fra๐ค๐คจ๐\nce. It also recei๐ช%ved som(+e intensely unfavourable revie๐๐คฅ๐w๐๐คจ๐คฉ๐s, most not^[abl๐๐๐คคy ๐?๐ทfrom๐๐ t%=-he ๐คฃ๐^young ho_๐คt๐คค-๐heads on the C๐๐ahiers du c(๐๐inรฉma such ๐คชas Fran?;=๐๐คois T.?๐ถ๐ถr๐ค@uff๐ค@aut who ๐คฅ๐cited this f ^il๐$?[๐ฌm as๐ช๐๐ a p๐ค๐ฌ๐๐คญrime example\ of the decline of French cinema in๐คฉ+:to me๐ค๐๐diocrity. In spi๐๐ค?:๐คจte )o๐-๐ชf๐๐๐ช all this negative press, the film prove๐๐d to be an astonishing c*#omme(#๐คฎrcial success,, ๐ attractin=g five million :๐ค๐cinema-goers๐คญ๐๐คค, and wa๐๐๐๐s๐คข๐๐ค๐ a-๐w๐๐๐a๐๐๐ rde!๐คซ*d๐ค th๐ฌ๐คช,e๐ท / Grand๐๐คจ๐คญ Pr๐คix du C๐๐ท;)inรฉma fran?ais in 1958 .ใใใใW๐ค hilst ๐๐Les ;๐ช๐Tr*๐คicheu๐๐rs ๐คฎ/%๐ฌ๐is no๐ค๐t as flaw๐/๐ค๐ less a๐คค;s Carnรฉ's earlier\)๐ maste .๐r p`๐:๐i๐๐ท๐คจeces, ๐คซ๐it ๐คฃ๐คฎ๐คis no,nethele #ss a signific๐คญ๐ant wor# :๐k, having ๐๐๐๐ the pow๐๐er to both shock ๐๐๐คฅand move its audi ;]ence, ๐๐ฅฐ?whilst h๐ฅฐ$๐a?)๐ท=?ving g๐๐๐คฅ ๐ดreat en๐๐๐๐คฅ๐tertainment valu : ๐คe.๐ ๐คฎ It๐ค!๐ด e๐๐คขv๐๐ค๐oke-๐s.๐คจ the m ๐คo๐#, od of its ๐คฉ๐time in a way that fe+๐ค ๐คค^w Frenc๐ฅฐ๐๐=h films of t:his period ` did, depicting ๐ช๐คซyoung people as ๐๐p๐[๐ฅฐ/l๐๐e๐ค(๐คฎ`asure๐๐-see๐๐ki๐ค๐๐๐n๐คช:g rebels, r+๐eje๐คฉct`๐คจing the auste๐ค๐)rity and d๐คข isciplin ๐ถe of the previ๐คซ`o๐\us ge ๐คฅn๐คญ๐ฌ๐ er๐ค ๐๐ation whilst -[pursuing ๐คฃ ๐+a*[ life๐๐คจ without cares๐ค, responsibiliti๐คซ๐ฅฐ๐คซ๐es or love๐๐๐ด . ๐คค Simil%๐ค๐ariti๐๐คญ๐es wit\๐คฉ:h James Dean's films of the 1950s (mo+๐คฎ๐st notably Rebel without a Cau๐ถ๐ฅฐse๐ ) are๐คช-๐คฉ appare๐_๐คnt,#@๐๐ฌ al๐ค๐ฌt๐คฃ๐hough ,๐ Car#`/ nรฉ's trea%๐ฅฐ ๐คขtmen๐ค _๐คคt of young๐? ๐ ๐people +๐ is far ๐คค:๐ทmore abstract ๐คฃ๐- in /๐ช/๐คขhis fi!๐คซlm they mere๐คฃ๐ค-ly๐$! symboli๐๐ ๐ se a world that has los๐๐๐t its wa๐;y, more๐ช] or less vi๐ฅฐ`๐ฌctims of pos/t๐คฎ -war pr%๐ถ๐)osper$* ๐]i๐๐ค๐)ty. Althoug ๐h the yo๐_ung peop๐ฌ๐คช๐:le in๐ถ๐ L es Tricheurs lack the๐๐/๐ ๐ค /authenticit๐คจ๐คข,y to be totall๐ช๐ช*y ๐คฎ:๐๐คcredible, the fi๐๐คฅ๐๐ฌ๐lm ๐does m:%๐)ak ๐คจe`)๐ค an important, and i๐ฅฐ๐ท๐คฃndeed quite dis๐ *๐ฌtur๐:๐ bing po๐๐ฌ ๐int, about where the permissive .s@๐๐ฌ๐คชoc๐๐ iety๐`๐ may be heading.ใใใใMuch of the pleasur% ๐คช;e of t ๐ค๐ท#๐ฌhe film+๐คฎ\=๐ i๐คจ s in the pe๐ฅฐ*r๐_;for ๐คจ ๐`ma๐คฎ:๐ดn๐ช๐คค.๐c^๐$๐คซes from๐๐ฌ๐๐คช๐ its ๐ค#)fou๐๐ท๐๐ท๐r lead๐ ๐๐ actors, Jacques \:C-๐@harrier+๐, Pas๐๐คข-cale Pe๐คค๐คฃtit, Laure= ๐คฅnt๐ช Te๐ฅฐ๐คช๐๐ดrzieff #and A๐คช๐๐คndrรฉa Pa@^ris_:y(/๐ฌ,๐๐ al %๐t๐๐hough%๐คฅ๐ o^๐!๐คฃnly T erzief๐ด๐f :๐๐is ๐`๐คข]๐r๐*eally conv๐?incing in๐คช# ๐ช his ๐ค๐ชrole. Mar๐ค๐ค-๐คขce^๐(l Carnรฉ originally๐๐ค๐ ๐ค consid๐ค๐๐ค๐๐ e๐๐๐ถ re๐๐คฎ๐คฎd Alain Delon๐คฉ_ and ๐๐//Jean_%๐คจ-๐๐๐Pau๐ ๐๐ชl Bel mond๐๐คข๐คฉ๐คชo for ๐\ the parts ๐of Bob and Alain re_/spectively, before ๐ค@ ๐op๐คจ tin*#๐ช๐g _๐๐fo`r Charrie r ]๐คฎa๐๐ท\nd Terz]ieff. A๐ค\๐๐คฅs ๐ค-a consol๐๐ค๐ation,๐๐ฅฐ Carn$(๐ครฉ offere๐๐คชd Belmo/+ nd๐๐คชo ๐a ๐๐small^๐ ๐คคer part in, t\he fi๐ด๐ดlm -,๐ค๐ al.๐คค๐.as t๐คฉo๐คช๐๐o ๐คฎ๐ค๐ฌ๐๐คชsma๐ll๐คฅ๐ ๐๐ for %๐ค๐,๐the actor to be ๐)noticed by the public. Belm๐คฅ๐ond)o๐คฉ*'s breakthrou๐gh ha๐คข๐คช[d๐๐คจ๐ to ๐$๐คฎwait_) ) u-๐๐คฉntil the follow๐๐คจi๐ฅฐ๐.๐คng ye/๐๐คซar when ^# ๐he,๐ s๐ค๐ชtarr๐ค[๐คed%๐คฅ๐ฅฐ๐คค in ๐/๐คJean-L๐คuc Go^+๐%๐ฌdard's ๐๐๐#revolut ,.๐ค๐คขionary\๐ A๐๐๐๐ bou#t de๐๐ souff๐๐๐ท๐(le๐๐^,๐คซ๐คข๐คข๐% a film whi๐ค๐๐คญ๐]c๐ค๐h of๐,fers a ๐คข_ v๐% ๐๐ery di@๐ถ`ffe-@! r ๐๐๐en๐คฃt_ perspective๐๐๐ค o๐ช๐ค f the y ๐ค๐outh ge%๐neratio?[๐๐n.